ADVANCED TYPOGRAPHY
|| Leong Hui Xuan 0365793
|| 13/05/2025- 03/06/2025 (Week 4 - Week 8)
|| Bachelor of Design in Creative Media
|| Task 2
Table of Content
Perception
- Something that regarded, understood or interpreted.
- It is the visual navigation of contrast, form and organisation of the
content.
Method that create contrast in Typography:
- Light/ Bold
- Condense/ Extended
- Organic/ Machined
- Roman/ Italic
- Small/ Large
- Nagative/ Positive
- Serif/ Sans serif
- Ornate/ Simple
- Red/ Blue
- Contrast in size provide a
visual hierarchy to readers.
- Weight show how bold type
can stand out.
- Contrast of form is
distinchtion between lowercase and uppercase equivalent.
- Structure make the
different letterforms in different typefaces.
- Texture will be apply when
placing the contrast of size, weight, form and structure.
- Direction is the opposition
between verticala nd horizontal.
- Use of colour suggest
second color be less emphatic in values.
Form
- Refer to overall look and feel of the typographic compositions.
- Two function of Typography: To represent a concept/ To do so in a
visual form.
- Form meaning to brings a balanced harmony in terms of function and
expression.
Organisation/ Gestalt
- Gestalt meaning the way that has been
placed/ put together in
German.
- Gestalt theory emphasized anything that is greater than its
parts.
- Perceptual Organisation / Groupings:
- Law of Similarity
- Law of Proximity
- Law of Closure
- Law of Continuation
- Law of Symetry
- Law of Simplicity (Praganz)
- Gestalt principle explain how eye creates a
whole from parts.
INSTRUCTION
TASK 2 PART A - KEY ARTWORK
In task 2 Part A, we need to create a wordmark for our brand.
Then we need to come out with:
- Black wordmark on white background
- White wordmark on black background
- Colour palette
- Wordmark in actual colours on lightest shade of colour palette
- Wordmark in lightest shade of colour palette on darkest shade of colour palette
- wordmark animation
- Each artboard need to be 1024 px x 1024 px, 300dpi format.
Mind Map for Inspiration
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Figure 1.o, Mindmap myself, week 4 (13/05/2025)
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Moodboard
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| Figure 1.1, Moodboard, week 4 (17/05/2025) |
This moodboard is to give me inspirations of the artistic direction
for my wordmark design. I like how the designer fusion the letter
and the cat .
Sketches
Chosen keywords: Tail, Bold, Round
My idea was to explored and combined the cat tail to the letter "Q", to
make the "Q" stand out.
Digitalization
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Figure 1.3, Digitalize Wordmark, week 5 (20/05/2025) |
For the frist part, I developed the "Qinn" wordmark heavily
incorporating a cat-like motif. Besides, I also get inspiration of the
spade "Q" in 4th row from the poker card.
The second part, I redinement and stylization of the "Qinn" wordmark.
It's more focuses on "QINN" itself, explored different visual effects.
the general theme here is much bolder, more robust and rounded font for
"QINN". The variations showing the effect like drop shadow, outlines and
inner shadow, 3D extrusion, Overlap and negative space.
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| Figure 1.4, Final Digitalize, week 5 (20/05/2025) |
The final digitalize, based on Sir Vinod feedback, I outlined the entire
tail of the letter "Q" to make it more distinct than if I only outlined
half of it. I also simplified the letter from a lot of cat elements to
just the tail. Overall, it look more simple.
Colour Application
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| Figure 1.5, Colour Application, week 5 (23/05/2025) |
For the colour palette, I used Colour Hunt and Pinterest to find
inspiration. After selecting multiple colour palatte, I place them
together and compared them to choose the final colour palatte.
I use Palette #1 as my initial palette and palatte #2 as my final
palette. I experiment with both colour palette in the mock-up.
Key Artwork Animation
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Figure 1.7, Key word animation, week 6 (27/05/2025) |
I used After Effect to create my animation with Tapper effect.
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| Figure 1.8, Animation 1, week 6 (27/05/2025) |
I tried adding different colour of the letters to see how it works.
I decided to place the colour like this at the final, orange to blue.
Task 2A Final Outcome
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Figure 1.8, Black wordmark on White Background, week 6 (29/05/2025) |
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Figure 1.9, White Wordmark on Black Background, week 6 (29/05/2025) |
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| Figure 1.10, Colour Palette, week 6 (29/05/2025) |
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Figure 1.11, Wordmark in actual colours on llightest shade of
colour palette, week 6 (29/05/2025) |
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| Figure 1.12, Wordmark in lightess shade of colour palette on darkest shade of colour palette, week 6 (29/05/2025) |
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| Figure 1.13, Key Word Animation, week 7 (02/06/2025) |
Figure 1.14, Task 2A PDF Compilation, week 7 (02/06/2025)
TASK 2 PART B - COLLATERAL
In Part B, we were required to apply our wordmark in 3 collaterals
mock-up and design it. My idea of my brand is to create some merchandise that I liked and use it often.
Initial Idea
My first idea when doing Part B is to create Batch, Tod's bag
and Cup.
Wordmark Variation
I create some wordmark variations that used in my mock-up as pattern and
logo.
For the Experimental Patterns:
First, I use the design of letter "Q" to create a up side down
repetition pattern with the colour light blue and
yellow.
Second, I edit the size of letter "Q" to more bigger and place
the letter "I,N,N" beside the "Q" in the same base with
the circle of letter "Q".
Third, I replicate my wordmark and make each wordmark
from deep to shallow.
Collateral 1: Batch
Collateral 2: Cup
Collateral 3: Tod's bag
Final Idea
After consultation, I change all my idea and start to
re-experiment the wordmark design, colour palatte, and
collaterals.
Then, I decided to create candle, label cards of the cloth and
luggage as my mockup which three of them are often be used in my
life.
Wordmark Variation
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| Figure 2.5, Wordmark Variations, Week 8 (09/06/2025) |
The Square Logo is a combination of text and geometric shape,
forming an square batch.
For experimental Patterns:
The first pattern uses repetition and overlap the "QINN" logo
repeatedly layered to create subtle, textured background
reinforces the brand name.
The second, third and fourth patterns use repetition of "Q"
symbol with different color. The third and fourth add a copy
layer of the repetition "Q" and change the layer to dissolve
layer to create a rought texture feel.
Collateral 1: Candle
For the first mockup I chose a candle. I love candles so
much that I tried to make a candle with my Square
Logo.
Collateral 2: Labels
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In this mockup I use different color of patterns
to create different labels.
Collateral 3: Luggage
For the suitcase, I combined the repeating pattern, the
square logo, and my portrait through overlapping.
Identity Expansion & Instagram Tile Design
1. Initial Development
Colour Palette
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| Figure 3.0,Colour Palette with Logo, week 8 (09/06/2025) |
I apply my Logo "Q" to the colour palette and change the layer mode.
Black & White Photograph
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I used multiple layers of the "QINN" logo in different colors to cover my eyes so it looked like I was wearing sunglasses.
Pattern Expansion
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I use the same pattern and square logo that i used in my mockup.
Instagram feed layout
Task 2B Final Outcome
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| Figure 3.4, Collateral 1, week 8 (09/06/2025) |
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| Figure 3.5, Collateral 2, week 8 (09/06/2025) |
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| Figure 3.6, Collateral 3, week 8 (09/06/2025) |
Instagram Link: https://www.instagram.com/qinn__1217?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==
Figure 3.9, Task 2B PDF
Conpilation, week 8 (09/06/2025)
TASK 2 FINAL OUTCOME COMPILATION
FEEDBACK
Weeek 5:
General Feedback: The word mark need a keyword to
reflect the meaning. Fun is a great theme to come out with a
good artwork.
Specific Feedback: The first impression is a pet
shop, if going a more commersial logo, it need to be less
cat design.
Week 6:
General Feedback: Simplest the word mark.
Specific Feedback: Remove all the extra elements,
and make it simple.
Week 7:
General Feedback: Repetative pattern dont apply different
colour, since the repetition pattern is already look loud.
Week 8:
General Feedback: This week we having online class.
Specific Feedback: I change the color palette and
collaterals.
REFLECTION
Expereinces:
In Task 2, we need to create a Keyword that represent
wordmark and used
as an artwork that adorn
collateral. This task gave me a lot of challenges, which I really feel
confused and redesign many times.
One of the
biggest difficulties was translating a personal concept as a cat lover into a proper
wordmark that could stand as a brand identity. My
initial idea is
included
too many cat elements, making the design feel more like a pet shop logo than a
brand. After receiving feedback, I had to
revise and simplify
the design again and again until it look good.
Additionally, experimenting with animation in Adobe After
Effects helped my logo create a
taper effect on it,
make it look smooth and nice. My
brand concept is to
create objects that we can see and often use in our
daily lives. So for the collateral, my initial idea was to make a batch of
Tod's bags and cups, but after creating them, I felt that they
were not suitable for my logo, then I change my collateral to
luggage, label cards and candle.
Observation:
Throughout the project, I noticed how variations in font shape,
line weight, and color could impact the overall brand. While
experimenting with
different visual effects
like shadows, negative space, and 3D extrusions, I observed how
each effect displayed a different feel. It became clear that,
simplification was not meant to make the design boring, but to enhance
clarity and professionalism.
Repetition can become boring without careful attention to detail,
especially when creating patterns. Moving from the initial
collateral ideas to items like candles, label cards, and luggage
made me realize that when a brand reflects an individual’s
lifestyle, the merchandise can become more personal.
Findings:
This assignment taught me that successful logo design is about
balancing concept with functionality. I learned that even a simple letter like the “Q” can be
recognizable if carefully crafted. Through sketching, mood boards,
digital color tests, and mock-up experiment, I discovered that
every decision from the pattern design of the letters to the
pairing of the pattern with the logo is crucial in brand
communication. Research
from Pinterest, Colour Hunt, and real packaging examples gave my a
more understanding
about how logo combined into a collateral to evaluate which
designs would more work for print and digital applications.
Overall, this assignment improved my attention to detail in type
design and my ability to translate personal creativity into
logo.
FUTHER READING
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Figure 5.0,Carl Dair at Enschedé: The Last Days of Metal
Type, week 8 (10/06/2025) |
Carl Dair at Enschedé: The Last Days of Metal Type
This is a typographic memoir documenting Canadian designer Carl
Dair’s apprenticeship at the Joh. Enschedé type foundry in the 1950s.
The book captures the traditional craft of metal type makin,g such as
punch cutting, matrix making, and casting during its final era before
the rise of digital typography. Through personal reflections, visual
documentation, and design philosophy, Carl Dair shares insights on balance, proportion, and typographic form. It
serves as both a historical record and a tribute to the craftsmanship
behind type.
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